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Moritz Junge

Costume designer


Work in ballet includes Songs of Bukovina (American Ballet Theatre), Outlier (New York City Ballet), Dyad 1929 (Australian Ballet and Houston Ballet), L’Anatomie de lasensation (Paris Opera Ballet) and Renature (NDT). For the Royal Ballet, Multiverse, Woolf Works, Live Fire Exercise, Limen, Infra (also for Joffrey Ballet, Mariinsky Ballet, Tulsa Ballet, Hessisches Ballet, Royal Danish Ballet, Flanders Ballet and The Australian Ballet) and Chroma (also The Australian Ballet, Alvin Ailey American Dance Theater, Boston Ballet, National Ballet of Canada, San Francisco Ballet, Royal Danish Ballet, Pennsylvania Ballet, Bolshoi Ballet, Dutch National Ballet and Polish National Ballet).

Recent work in opera includes set and costume design for The Love for Three Oranges (Staatstheater Mainz), Cosi fan tutte (Opera Australia) and Powder Her Face (Theater Aachen), and costume designs for Der fliegende Holländer (the Metropolitan Opera and Festival d'Opéra de Québec), Norma, Roberto Devereux and Cavalleria Rusticana/Pagliacci (Metropolitan Opera), Rusalka (Lyric Opera Chicago), Don Carlo (Bolshoi Opera), The Winter’s Tale (English National Opera), La Cenerentola (Glyndebourne), Les Troyens (La Scala and San Francisco Opera), Aïda (Valencia) and The Tempest (Royal Opera).

Moritz Junge’s recent costume design for theatre includes The Visit and Macbeth (Royal National), A Midsummer Night’s Dream (Shakespeare’s Globe), Dance Nation (Almeida), All About my Mother (Old Vic) and Aristocrats (Donmar Wearhouse).