In the 2013/14 Season The Royal Opera revives French director Laurent Pelly’s productions of Manon and La Fille du régiment. He has also directed L’elisir d’amore, Manon, Cendrillon and Robert le diable for the Company. He designed costumes for all these productions, often in collaboration with Jean-Jacques Delmotte. Many of Pelly’s Royal Opera productions have toured worldwide, to venues including La Scala, Milan, Vienna State Opera and the Metropolitan Opera, New York.
Laurent Pelly staged his first play aged 16 and at 18 he founded theatre company Le Pélican. He was Director of the Centre Dramatique National des Alpes in Grenoble 1997–2007, and is currently Director of the Théâtre national de Toulouse, where he has directed plays including Macbeth, Hugo’s Mille cents francs de récompense and Mangeront-ils? and Goldoni’s The Liar. He divides his time between directing theatre and opera.
Pelly’s other operatic productions include I Puritani, Giulio Cesare and Ariadne auf Naxos (Paris Opéra), L’Heure espagnole/L’Enfant et les sortileges and Hänsel und Gretel (Glyndebourne Festival), La traviata (Santa Fe and Teatro Regio Turin), L’Amour des trois oranges (Netherlands Opera), Pelléas et Mélisande (Theater an der Wien), The Cunning Little Vixen (Saito Kinen Festival and Maggio Musicale, Florence) and Platée (Paris Opera and Santa Fe). He has directed numerous works by Offenbach, including Les Contes d’Hoffmann (Liceu, Barcelona, San Francisco and Opéra deLyon), La Belle Hélène (Théâtre du Châtelet, Paris, Santa Fe and English National Opera), La Vie parisienne (Lyon and Toulouse) and La Grande-Duchesse de Gérolstein (Châtelet).
La Fille du régiment
Donizetti's entertaining opera marches onto the stage in Laurent Pelly's production, full of irrepressible humour and catchy melodies.
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News and features
'Audiences will struggle not to enjoy this production': Bryan Hymel on preparing for Robert le diable
The tenor tells ROH supporters about his role.
As The Royal Opera stages Robert le diable for the first time in 122 years, we asked you what forgotten opera you'd revive.
The Portuguese soprano tells us about the Jette Parker Young Artists Programme and singing in L'elisir d'amore.
The director discusses the forgotten production and its impact on operatic history.
We take a look at the times in which grand opéra shuddered onto the opera scene.
We followed the scenic painters as they prepared the backcloth for Laurent Pelly's new production.