Scottish designer John Macfarlane made his Royal Ballet debut in 1985 designing sets and costumes for Peter Wright’s production of Giselle. He has returned regularly to the Royal Opera House since, designing for both ballet (Glen Tetley’s La Ronde, and Liam Scarlett’s Asphodel Meadows, Sweet Violets, The Age of Anxiety, Frankenstein and Swan Lake), and for opera (Willy Decker’s productions of Duke Bluebeard’s Castle/Erwartung and Peter Grimes, Richard Jones’s productions of Lady Macbeth of Mtsensk and L’Heure espagnole/Gianni Schicchi and David McVicar’s production of Die Zauberflöte.
Macfarlane has also worked extensively both internationally and across the UK. Selected opera credits include Hansel and Gretel (Metropolitan Opera, New York, and Welsh National Opera), War and Peace and La clemenza di Tito (Paris Opéra), Agrippina (Metropolitan Opera and La Monnaie, Brussels), Boris Godunov (Dutch National Opera), The Trojans (English National Opera), Don Giovanni (San Francisco Opera and La Monnaie), Idomeneo (Vienna State Opera), Elektra (Lyric Opera of Chicago), The Rake’s Progress (Scottish Opera), Rusalka (San Francisco Opera) and Maria Stuarda, Tosca and Der fliegende Holländer (Metropolitan Opera). Ballet credits include Hummingbird (San Francisco Ballet), Peter Wright’s The Nutcracker and Cinderella (Birmingham Royal Ballet) and other work for Wright, and for Glen Tetley and Jiri Kylián.
Macfarlane’s stage work is paralleled by his painting and drawing career. He regularly exhibits in the UK and abroad, and his work can be found in collections across Europe and the USA, including at the V&A Theatre Museum, the Albertina, Vienna, the Archives of the Metropolitan Opera, New York, and Opéra National de Paris, and Glasgow’s Hunterian Museum. In 2017 and 2019, he received the Scenographer’s Laureate at Benois de la Danse for his designs in The Royal Ballet’s Hummingbirdand Swan Lake. He is a Chevalier de Chevalier de l’Ordre des Arts et des Lettres.