Jean-Marc Puissant

Jean-Marc Puissant is an award-winning set and costume designer working in opera, theatre, dance and musicals. For The Royal Ballet he has designed Christopher Wheeldon’s Aeternum, Electric Counterpoint, DGV: Danse à grande vitesse and Tryst, set designs for George Balanchine’s Jewels and Javier De Frutos’s Les Enfants Terribles. For The Royal Opera he designed sets for David McVicar’s production of Aida. Further work at the Royal Opera house includes Whelan/Watson: Other Stories for The Royal Ballet, A Dream within a Midsummer Night’s Dream for Ballet Black and Arthur Pita’s Facada. He has also appeared on the main stage as a dancer with Birmingham Royal Ballet.

Puissant began his career as a dancer, training at the Paris Opera School and dancing professionally with BRB and Stuttgart Ballet. He then studied on the Motley Theatre Design Course and studied art history at the Sorbonne. He designs for leading international companies including New York City Ballet, American Ballet Theatre, BRB, Dutch National Ballet, Rambert, Lyric Opera of Chicago, Los Angeles Opera, Santa Fe Opera, Scottish Opera, Norwegian National Opera, Palau de les Arts Reina Sofía, Valencia, Menier Chocolate Factory and Théâtre du Châtelet.

Puissant was nominated for Best Scenographer at the 2016 Benois de la danse and was a finalist at World Stage Design 2013. Several productions he has designed have won Olivier, South Bank Show and Critics’ Circle awards. He has given talks about his work at the V&A and Guggenheim Museum, New York, has tutored theatre design at Central School of Speech and Drama and is on the Board of Directors of Dance Umbrella Ltd.