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Due to the ongoing effects of closure at the Royal Opera House, information about artists is only updated periodically during this time. We apologise for any inconvenience caused.

Hannah Clark



English designer Hannah Clark made her Royal Opera debut in 2016 with the world premiere of Philip Venables’s 4.48 Psychosis at Lyric Hammersmith. She returned in 2019 to design Berenice in the Linbury Theatre and in the 2019/20 Season designs costumes for The Turn of the Screw.

Clark studied theatre design at Nottingham Trent University and the Royal Central School of Speech and Drama.?Clark’s opera credits include Idomeneo for Garsington Opera, L’incoronazione di Poppea for Opera Theatre of St Louis, Così fan tutte for Northern Ireland Opera and L’incoronazione di Poppea, Suor Angelica, Un ballo in maschera and Silent Night and costumes for Osud, Trouble in Tahiti and L’Enfant et les sortilèges for Opera North.

Her theatre credits include costumes for The Taming of the Shrew and Queen Anne both for the RSC, and set and costume designs for Eyam, The Oresteia, Othello, The Taming of the Shrew, Romeo and Juliet, The God of Soho, As You Like It and A Midsummer Night’s Dream for Shakespeare’s Globe. She has designed several productions for the dance company Requardt & Rosenberg.