Accessibility links

|

Sign In
Basket
Basket

Frederick Ashton

Choreographer

Biography

Frederick Ashton in action.
Frederick Ashton in Facade © Gordon Anthony/ROH 1953

Founding Choreographer of The Royal Ballet Frederick Ashton (1904–88) was one of the most influential dance figures of the 20th century. In his work with the Company he developed the distinctive ‘English style’, and left a vast corpus of works that are regularly performed by The Royal Ballet and companies around the world, among them La Fille mal gardée, Marguerite and Armand and Symphonic Variations.

Ashton was born in Ecuador to British parents. He first saw ballet when Anna Pavlova performed in Lima in 1917, later claiming ‘from the end of that evening I wanted to dance’. In England Ashton was tutored by Leonid Massine and made his choreographic debut for Marie Rambert in 1926. After working with Rambert and Ida Rubinstein, in 1938 he was appointed principal choreographer of Vic-Wells Ballet (later The Royal Ballet) by Ninette de Valois. With De Valois Ashton played a crucial role in determining the course of the Company and The Royal Ballet School. In 1963 he took over from De Valois as Director of the Company and in addition to choreographing introduced several significant works, including Bronislava Nijinska’s Les Noces and George Balanchine’s Serenade, and commissioned Kenneth MacMillan’s Romeo and Juliet. He retired in 1970 but continued to choreograph throughout his life, producing his last major work, Rhapsody, in 1980.

Ashton’s style is distinctive for its épaulement (the way the head and shoulders are held) and fleet footwork. All his works combine elegance with breathtaking technical demands.

Videos

News and features

60 years of being royal: How The Royal Ballet got its charter

60 years of being royal: How The Royal Ballet got its charter

31 October 2016

October 2016 marks 60 years since Sadler’s Wells Ballet became The Royal Ballet – a change which was hotly debated in the press at the time.

When cameras meet dancers: Stunning photos of Royal Ballet dancers taken around London

When cameras meet dancers: Stunning photos of Royal Ballet dancers taken around London

13 October 2016

Jacob Jonas photographs The Royal Ballet's Francesca Hayward and Solomon Golding for a #camerasanddancers Instameet.

‘Dance should express something words can’t’: Young choreographer Robert Binet on why great art should challenge

‘Dance should express something words can’t’: Young choreographer Robert Binet on why great art should challenge

6 October 2016

The Canadian choreographer on working with Wayne McGregor and carving out a style of his own.

Photos

Lesley Collier and Mikhail Baryshnikov in Frederick Ashton's Rhapsody (1980). Photo

Frederick Ashton

Envelope of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page five of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page three of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Frederick Ashton, Margot Fonteyn and Rudolf Nureyev during rehearsals

Royal Ballet in rehearsal

Royal Ballet in rehearsal

Frederick Ashton as the Showman in Petrushka, The Royal Ballet 1957. Photograph by Roger Wood

Frederick Ashton in Facade

Clipping included with Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page six of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page four of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page one of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Royal Ballet in rehearsal

Royal Ballet in rehearsal

Royal Ballet in rehearsal

Royal Ballet in rehearsal

Margot Fonteyn, Michael Somes and Frederick Ashton in rehearsal for Ondine

Frederick Ashton and Robert Helpmann in rehearsals for Cinderella

Frederick Ashton as The Showman in Petrushka

Frederick Ashton as A Dago in Facade

Rupert Pennefather, Laura Morera and Marianela Nuñez in Sylvia, The Royal Ballet

Page ten of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page nine of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page eight of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

The 25th Anniversary of Sadler's Wells Ballet, 5 May 1956 Roger Wood

Margot Fonteyn, Rudolf Nureyev and Frederick Ashton at the Silver Jubilee Gala. Photo

A Gala Tribute to Sir Frederick Ashton in celebration of his 80th Birthday, 18 October 1984

Tribute to Sir Frederick Ashton gala at the Royal Opera House to mark the retirement of Sir Frederick Ashton as Director of The Royal Ballet, 24 July 1970

Alexandra Ansanelli as Ondine and Valeri Hristov as Palemon in Ondine.

Zenaida Yanowsky as Marguerite and Artists of The Royal Ballet in Marguerite and Armand

Set design by Frederick Ashton for his Rhapsody (1980), The Royal Ballet. Photograph by Donald Southern

Page 11 of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page seven of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts

Page two of Frederick Ashton's letter to Richard Beard, 29 January 1948. Reproduced with permission of Anthony Russell Roberts