British soprano Elizabeth Woollett made her Royal Opera debut in 2002 as Lady-in-Waiting (Macbeth) and has since sung Ines (Il trovatore), Clorinda (La Cenerentola), Mrs Coyle (Owen Wingrave), Fourth Maid (Elektra), Domna Ivanovna Saburova (The Tsar’s Bride) and Nursing Sister (Suor Angelica) for The Royal Opera.
Woollett studied at the Royal Academy of Music. She was principal soprano of English National Opera, where her roles included Musica (L’Orfeo), Fiordiligi (Così fan tutte), Leïla (The Pearl Fishers), Micaëla (Carmen), Musetta (La bohème) and Helena (A Midsummer Night’s Dream). Other UK performances include the title role in Jenůfa for Welsh National Opera under Charles Mackerras, Susanna (Le nozze di Figaro) for Scottish Opera, Euridice (Orfeo ed Euridice) for English Touring Opera, Amenaide (Tancredi) for Buxton Festival, Violetta (La traviata) in Belfast and Marguerite (Faust) for Mid Wales Opera. In concert she has sung Agathe (Der Freischütz) for Chelsea Opera Group and the title role in Euryanthe with the Orchestra of the Age of Enlightenment.
Woollett’s many concert performances include Songs of the Auvergne and Verdi’s Requiem (Barbican), Brahms’s Ein deutsches Requiem and Beethoven’s Missa solemnis with the Royal Philharmonic Orchestra and appearances with the Dallas Symphony Orchestra and in Fort Worth and Geneva. She has recorded Iolanthe and The Gondoliers (TER) and a duet album with the RPO. She is an Associate of the Royal Academy of Music.