English choreographer Christopher Wheeldon is Artistic Associate of The Royal Ballet. He trained at The Royal Ballet School and danced with the Company 1991–3. For The Royal Ballet he created the one-act ballets Tryst (2002), DGV: Danse à grande vitesse (2006), Electric Counterpoint (2008), ‘Trespass’ (Metamorphosis: Titian 2012, in collaboration with Alastair Marriott) and Aeternum (2013, winner of the Olivier Award for Best New Dance Production), and the full-length ballets Alice's Adventures in Wonderland in 2011 (The Royal Ballet's first full-length commission in 20 years) and The Winter's Tale in 2014.
Wheeldon was born in Yeovil and trained at The Royal Ballet School. In 1991 he won gold medal at the Prix de Lausanne with a solo of his own creation and that year entered The Royal Ballet, where Kenneth MacMillan encouraged him in his choreographic work. In 1993 Wheeldon joined New York City Ballet, promoted to soloist in 1998. He created his first work for NYCB, Slavonic Dances, in 1997 and became the company’s first Resident Choreographer in 2001. Works for NYCB include Polyphonia (2001, winner of a London Critics’ Circle Award and the Olivier Award for Best New Dance Production), An American in Paris (2005) and The Nightingale and the Rose (2007).
Wheeldon choreographs regularly for leading companies, including Boston Ballet, San Francisco Ballet, Dutch National Ballet and Pennsylvania Ballet. In 2007 he founded Morphoses/The Wheeldon Company and became the first British choreographer to create a new work for the Bolshoi Ballet. In 2012 he collaborated with Alastair Marriott on the closing ceremony of the London Olympic Games, watched by 23.2 million people worldwide.
News and features
Carlos Acosta, Francesca Hayward, Natalia Osipova and Christopher Wheeldon among the winners at this year's awards.
Backstage films from the live relay of Alice's Adventures in Wonderland, including a closer look at the character of the Queen of Hearts
Christopher Wheeldon fuses ballet with breakdancing, Asian dance and contemporary choreography to create the enigmatic Caterpillar.
Christopher Wheeldon and the many different styles that bring Alice's Adventures in Wonderland to life
To create his ballet the choreographer drew on everything from classical ballet to tap and Broadway musicals.
Our quick guide to Christopher Wheeldon's glorious family ballet, based on Lewis Carroll's classic tale.
How and where choreographers find stories has changed throughout the art form's history.
Tristan Dyer and Beatriz Stix-Brunell in Polyphonia, The Royal Ballet
Executive and artistic staff of the Royal Opera House at the 2012/13 Season launch
Christopher Wheeldon in rehearsals for Alice's Adventures in Wonderland
Christopher Wheeldon, Artistic Associate, The Royal Ballet
Edward Watson and Christopher Wheeldon in rehearsal for The Winter's Tale
Christopher Wheeldon and Zenaida Yanowsky in rehearsal for The Winter's Tale
Executive and artistic staff of The Royal Ballet at the 2012/13 Season launch
Artists of The Royal Ballet in Christopher Wheeldon's The Winter's Tale
Christopher Wheeldon in rehearsal for The Winter's Tale
Christopher Wheeldon in rehearsal for Alice's Adventures in Wonderland
Alice's Adventures in Wonderland - Backstage Access (Fashion)