French lighting designer Christophe Forey made his Royal Opera debut in 2000 on La Cenerentola, directed by Moshe Leiser and Patrice Caurier. He has since returned to work on Madama Butterfly, Hamlet, Il turco in Italia, Il barbiere di Siviglia, Hansel and Gretel and Maria Stuarda for The Royal Opera, all directed by Leiser and Caurier.
Forey was born in France and studied at the Ecole Superieure d’Art Dramatique of the Théâtre national de Strasbourg, where he began a working partnership with photographer and designer Henri Alekan. His other designs for Leiser and Caurier include for Aufstieg und Fall der Stadt Mahagonny (Lausanne), Wozzeck (Spoleto Festival), Der Rosenkavalier, Pelléas et Mélisande, Les Fiançailles au couvent, Der Ring des Nibelungen and Don Carlo (Geneva), Giulio Cesare in Egitto, Norma and Iphigénie en Tauride (Salzburg Festival), Die Zauberflöte (Vienna State Opera), Falstaff and Don Giovanni (Angers-Nantes Opéra), Rossini’s Otello (De Vlaamse Opera) and Giovanna d’Arco (La Scala, Milan).
Forey has worked widely in theatre, for directors including Bruno Boëglin (Koltès’s Roberto Zucco in Paris and on tour), Günter Krämer, Jean-Marc Bourg and Cédric Dorier (Racine’s Frères ennemis), for the Théâtre de la Chrysalide de Lyon and the Théâtre national de Strasbourg, among others. Dance credits include with Lucinda Childs, among others.