French set designer Chantal Thomas made her Royal Opera debut in 2007 on La Fille du régiment, directed by Laurent Pelly. She has since returned to create set designs for L’elisir d’amore, Manon and Robert le diable, all directed by Pelly.
Thomas studied at the École Nationale Supérieure d’Art in Dijon and the École des Arts Décoratifs, Paris. She has worked regularly with Pelly since 1988 on more than fifty productions, their credits including I puritani, Ariadne auf Naxos, Platée and Giulio Cesare (Paris Opéra), La Grande-Duchesse de Gérolstein and La Belle Hélène (Santa Fe), Les Contes d’Hoffmann (Barcelona and San Francisco), L’Amour des trois oranges (Netherlands Opera), Pelléas et Mélisande (Theater an der Wien) and La traviata (Santa Fe and Turin). Many of the productions she has worked on for Pelly have been performed by leading opera companies worldwide, including the Liceu, Barcelona, Metropolitan Opera, New York, La Scala, Milan, and Vienna State Opera.
Thomas has also worked in theatre with directors including Michel Rostain, Frédéric Bélier-Garcia, Laura Scozzi and Denise Chalem, and designed Le nozze di Figaro for Richard Brunel (Aix-en-Provence Festival).
News and features
22 October 2012
The director discusses the inspiration behind his production and the power of Donizetti’s music.