Australian mezzo-soprano Catherine Carby made her Royal Opera debut in the 2013/14 Season, singing Second Maid (Elektra). She has since returned to sing Voice from Above (Die Frau ohne Schatten), Sister Mathilde (Dialogue des Carmélites) and the Spirit of Antonia’s Mother (Les Contes d’Hoffmann) for The Royal Opera and Katherina Schratt (Mayerling) for The Royal Ballet. In the 2017/18 Season she returns to sing Minerva/Fortune (The Return of Ulysses) and in the 2018/19 Season sing Siegrune (Die Walküre).
Carby studied at Canberra School of Music and the Royal College of Music in London. She has performed for all the major Australian opera companies including Opera Australia, Opera Queensland, Victoria State Opera and West Australian Opera. For Opera Australia her roles have included Countess Geschwitz (Lulu) and Cornelia (Giulio Cesare), for which she won Green Room Awards, Romeo (I Capuleti e i Montecchi), Donna Elvira (Don Giovanni), Arsace (Partenope) and Octavian (Der Rosenkavalier, recorded for CD and DVD). Carby has also sung in concert throughout Australia and New Zealand, in repertory including Elgar’s Sea Pictures, Haydn’s Arianna a Naxos, Mahler’s Das Lied von der Erde and Mozart’s Mass in C minor.
Engagements elsewhere include Romeo for Chelsea Opera Group, Rodrigo (Pia de’ Tolomei) and Iphigénie (Iphigénie en Tauride) for English Touring Opera, Don Ramiro (La finta giardiniera) for Buxton Festival, Brangäne (Tristan und Isolde) for Longborough Festival Opera, Beethoven’s Symphony no.9 with the Philharmonia and Ulster orchestras, Messiah at the Three Choirs Festival, broadcast on BBC Radio 3, and Tavener’s Supernatural Songs with the City of London Sinfonia.