British lighting designer Bruno Poet made his Royal Opera debut in 2002 on Babette's Feast, directed by Tim Supple in the Linbury Studio Theatre. He has since returned to work on Orphée (directed by Francesco Negrin), A Midsummer Night’s Dream (directed by Olivia Fuchs) and Quartett (directed by John Fulljames) for The Royal Opera in the Linbury Studio Theatre, and on the main stage La donna del lago and Rise and Fall of the City of Mahagonny, directed by Fulljames, Don Giovanni, directed by Kasper Holten, and I due Foscari, directed by Thaddeus Strassberger, for The Royal Opera; for The Royal Ballet Alastair Marriott's Connectome and Whelan/Watson: Other Stories; and for Welsh National Opera Peter Pan, directed by Keith Warner and performed at the Royal Opera House.
Poet has designed lighting for opera productions worldwide. His European work includes Holten’s productions of Béatrice et Bénédict (Theater an der Wien) and of Cavalleria rusticana (Norwegian National Opera), Pagliacci (Norwegian National Opera), Al gran sole carico d’amore (Berlin State Opera), The Cunning Little Vixen (Royal Danish Opera), L’arbore di Diana (Teatro Real, Madrid, and Liceu, Barcelona) and Das Portrait (Bregenz Festival). He has a long association with Opera North, productions including La clemenza di Tito and The Makropulos Case, and with Garsington Festival, productions including L’Olimpiade, Don Giovanni and Il turco in Italia.
Poet designs lighting regularly for National Theatre productions (including Timon of Athens) and in the West End (including Being Shakespeare). He won an Olivier Award for Best Lighting Design and Knight of Illumination Award for Frankenstein (National Theatre). Away from the theatre he has designed lighting for a tour by Sigur Rós.
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A quick guide to The Royal Ballet's new mixed programme, featuring classic works by Ashton and Robbins as well as a world premiere from Alastair Marriott.