Alessandro Carletti

Born in Rome, he works regularly with Damiano Michieletto, with whom recent credits include Cavalleria rusticana/Pagliacci (ROH, La Monnaie, Brussels), Samson et Dalila and Don Pasquale (Paris Opera), Alcina, La Cenerentola and Falstaff (Salzburg Festival), Il trittico (Royal Danish Opera, Theater an der Wien), Rigoletto (Dutch National Opera), The Magic Flute (Maggio Musicale, Florence), La damnation de Faust (Rome, Valencia), Die lustige Witwe and the world premiere of Perocco’s Aquagranda (Venice), A Midsummer Night’s Dream (Theater an der Wien), Der ferne Klang (Frankfurt), Die lustige Witwe and Rigoletto (Rome), Le baruffe (Venice), Giulio Cesare in Egitto (Théâtre des Champs-Élysées) and Les contes d’Hoffmann (Opera Australia). Other opera lighting includes La bohème, Semele and Candide (Komische Oper Berlin) and Turandot (DNO) for Barrie Kosky and Nabucco (ROH, La Scala, Milan), Don Carlo and Il trovatore for Daniele Abbado (Vienna State Opera).