Welsh tenor Aled Hall made his Royal Opera debut in the 2016/17 Season as Dancing Master (Manon Lescaut), and has also sung Pang (Turandot), Spoletta (Tosca) and Abbé (Andrea Chénier). In the 2019/20 Season he returns as Normanno (Lucia di Lammermoor).
Hall studied at the University College of Wales, Aberystwyth, the Royal College of Music and the National Opera Studio. Opera engagements include Valzacchi (Der Rosenkavalier) for the Royal Swedish Opera, Don Curzio (Le nozze di Figaro) for Aix-en-Provence Festival and in Tokyo and Baden-Baden, Mr Upfold (Albert Herring) in Salzburg, Valzacchi and Maintop (Billy Budd) for Opera North, Vézinet (Il cappello di paglia di Firenze) and Ippia (Saffo) for Wexford Festival Opera, Beadle Bamford (Sweeney Todd), Goro (Madama Butterfly), Don Basilio (Le nozze di Figaro), Monostatos (Die Zauberflöte), Scaramuccio (Ariadne auf Naxos) and Le Remendado (Carmen) for Welsh National Opera, Gastone de Letorières (La traviata) for English National Opera, Alméric (Iolanta) and Borsa (Rigoletto) for Scottish Opera, Flaminio (L’amore dei tre re), Tinca (Il tabarro), Gherardo (Gianni Schicchi), Chekalinsky (The Queen of Spades), Arturo (Lucia di Lammermoor), Isèpo (La Gioconda), Alméric (Iolanta), Trabuco (La forza del destino) and Abbé (Andrea Chénier) for Opera Holland Park, Bardolfo (Falstaff) and Frisellino (Le pescatrici) for Garsington Opera and Spoletta and Duke of Dunstable (Patience) for English Touring Opera.
Concert engagements include Facio (Offenbach’s Fantasio), Ebbone (Mercadante’s I normanni a Parigi) and Osburgo (Bellini’s La straniera) for Opera Rara, Mozart’s Requiem with the London Mozart Players, Janácek’s The Diary of One who Disappeared for Wexford Festival Opera, and, at the Royal Albert Hall, Messiah with David Willcocks and Carmina Burana with the BBC Concert Orchestra. As part of the the Three Welsh Tenors he has performed internationally.