Welsh tenor Aled Hall made his Royal Opera debut in the 2016/17 Season as Dancing Master (Manon Lescaut), and returns later in the Season as Pang (Turandot). In the 2017/18 Season he returns to sing Spoletta (Tosca).
Hall studied at the University College of Wales, Aberystwyth, the Royal College of Music and the National Opera Studio. Opera engagements include Don Curzio (Le nozze di Figaro) for Aix-en-Provence Festival and in Tokyo and Baden-Baden, Mr Upfold (Albert Herring) in Salzburg, Valzacchi (Der Rosenkavalier) and Maintop (Billy Budd) for Opera North, Vézinet (Il cappello di paglia di Firenze) and Ippia (Saffo) for Wexford Festival Opera, Beadle Bamford (Sweeney Todd), Goro (Madama Butterfly), Don Basilio and Don Curzio (Le nozze di Figaro), Monostatos (Die Zauberflöte), Scaramuccio (Ariadne auf Naxos), Le Remendado (Carmen) and the title role in Krása’s Brundibár for Welsh National Opera, Flaminio (L’amore dei tre re), Tinca (Il tabarro), Gherardo (Gianni Schicchi), Chekalinsky (The Queen of Spades), Arturo (Lucia di Lammermoor), Borsa (Rigoletto), Isèpo (La Gioconda), Alméric (Iolanta), Trabuco (La forza del destino) and Abbé (Andrea Chénier) for Opera Holland Park, Bardolfo (Falstaff) and Frisellino (Le pescatrici) for Garsington Opera, Spoletta and Le Remendado at the Royal Albert Hall and Spoletta and Duke of Dunstable (Patience) for English Touring Opera.
Concert engagements include Facio (Offenbach’s Fantasio), Ebbone (Mercadante’s I normanni a Parigi) and Osburgo (Bellini’s La straniera) for Opera Rara, Mozart’s Requiem with the London Mozart Players, Janáček’s The Diary of One who Disappeared for Wexford Festival Opera, and at the Royal Albert Hall Messiah with David Willcocks and Carmina Burana with the BBC Concert Orchestra. As part of the the Three Welsh Tenors he has performed internationally.