English soprano Susanna Hurrell made her Royal Opera debut in 2014, singing Music/Erisbe in The Royal Opera’s production of L’Ormindo at the Sam Wanamaker Playhouse, Shakespeare’s Globe. She has since returned to sing Music/Erisbe and Nymph (Orfeo) for The Royal Opera at the Roundhouse. In the 2015/16 Season she sings Lauretta (Gianni Schicchi) on the main stage and in the world premiere of 4.48 Psychosis at the Lyric Hammersmith.
Hurrell was born in London and trained at the Royal College of Music with Patricia Rozario and the National Opera Studio with Jeffrey Talbot. Engagements include Mélisande for English Touring Opera, Despina (Così fan tutte) for Opéra-Théâtre de Limoges, Norina (Don Pasquale) for Longborough Festival Opera, Céphise (Rameau’s Pigmalion) with the Orchestra of the Age of Enlightenment, Governess (The Turn of the Screw) with Nevill Holt Opera, NI Opera and the Kolobov Novaya Opera Theatre, Moscow, Rose Maurrant (Street Scene) for The Opera Group, Théâtre du Châtelet and Liceu, Barcelona, and Cephisa (Telemann’s Orpheus) for Classical Opera. For the London Handel Festival she has sung roles including Rodelinda, Rossane (Alessandro) and Amarilli (Il pastor fido).
Hurrell sings regularly in concert, her engagements including Fauré’s Requiem at the Royal Albert Hall (also recorded by EMI Classics), the Messiah with the Royal Liverpool Philharmonic Orchestra, Pergolesi’s Stabat Mater with the OAE, Kurt Weill: From Berlin to Broadway with Keith Lockhart and the BBC Concert Orchestra, Haydn’s Nelson Mass with András Schiff and the world premiere of Oppenheimer’s Deborah with the Southbank Sinfonia.