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Giacomo Puccini



Giacomo Puccini (1858–1924) is one of opera’s most popular composers. His operas are famed worldwide for the drama and pathos of their plots, for their wonderful melodies and for the wealth of great roles they provide singers.

Puccini was born in Lucca to a family of church musicians. In 1880 he moved to Milan to study at the Milan Conservatory and while a student attended many performances at La Scala. Puccini wrote his first opera, the one-act Le villi, for the Sonzogno Competition; though rejected by the judges, its successful 1884 premiere led Giulio Ricordi to take Puccini on. His second opera, Edgar (1889) was a failure, but he scored a major triumph with Manon Lescaut (1893), his first mature work. While completing Manon Lescaut, Puccini began a fruitful collaboration with librettists Giuseppe Giacosa and Luigi Illica, with whom he wrote arguably his three greatest operas: La bohème (1896), Tosca (1900) and Madama Butterfly (1904). Following the death of Giacosa in 1906 Puccini struggled to find new subjects and collaborators. However, he continued to create impressive works, with the dramatic ‘Wild West’ opera La fanciulla del West (1910), the tender ‘lyric comedy’ La rondine (1917) and his most ambitious project, the three one-act operas that make up Il trittico (1918).

Puccini’s last years were spent working on his final opera Turandot, set in ancient China. Puccini never completed the final act – he died of throat cancer while working on the final love duet in 1924. Turandot had its premiere two years later, in a version completed by Franco Alfano.


News and features

Aiming high: 10 of the most challenging soprano roles

Aiming high: 10 of the most challenging soprano roles

15 September 2016

From the Queen of the Night to Turandot by way of Norma and Brünnhilde, we round up some of opera’s most devilishly difficult soprano roles.

A three-course meal: Puccini’s <em>Il trittico</em> and the tradition of piecing short operas together

A three-course meal: Puccini’s Il trittico and the tradition of piecing short operas together

19 February 2016

Like a collection of short stories or the B-movies of the 1940s and 50s, grouping operas together allows us to appreciate their contrasts.

<em>Il trittico</em> Musical Highlight: ‘O mio babbino caro’

Il trittico Musical Highlight: ‘O mio babbino caro’

11 February 2016

Lauretta’s lovely little aria is key in shaping the black comedy of Gianni Schicchi, the final opera in Puccini’s triptych.