19 May 2015 at 10.25am | 11 Comments
— Clare (@klaramoranova) May 18, 2015
I loved Minkowski's conducting of #ROHTraviata - no schmaltzy oversentimentality, beautiful new rhythms revealed, very supportive.
— Attila (@attilalondon) May 18, 2015
A simply sensational Violetta from Marina Rebeka in #ROHtraviata. Tender, noble and vocally in complete command.
— Nick Macrae (@violanick) May 18, 2015
#ROHTraviata Jordi piani and mezza voce filled the house effortlessly. Not a dry eye in the house. It all felt so natural and exceptional.
— Thierry Bregliano (@ThierryHVB) May 18, 2015
Rebeka aside, finding the rest of #Rohtraviata problematic. Conducting without passion, sounds like a Mozart concerto. Jordi unconvincing.
— Fedja Hadrovich (@Hadrovich) May 18, 2015
— Lila Palmer (@songstorystyle) May 18, 2015
Marina Rebeka in #ROHtraviata the best Violetta I've seen since Cotrubas in the early 70s. Secure & distinctive voice & convincingly acted
— Phillip Wood (@Phillip_Wood) May 18, 2015
Marina Rebeka the most powerful #ROHTraviata I've seen for years. Still weeping
— Jane Merrick (@janemerrick23) May 18, 2015
A wise American man wiping his tears on my left & an Italian girl sniffing on my right.Me, sobbing like a wet puppy. That's my #ROHtraviata
— Mary Grace Nguyen (@MaryGNguyen) May 18, 2015
The Stage ★★★★
Opera Britannia ★★★★
Music OMH ★★★★
Financial Times ★★★
What's On Stage ★★★
Times (£) ★★
What did you think of La traviata?
The production is generously supported by Rolex with generous philanthropic support from Dr and Mrs Michael West.