9 June 2014 at 11.19am | Comment on this article
Ritter supported the ‘new music’ of Liszt and Wagner - to whose niece he was married - and felt that Strauss should be writing tone poems. By the time Ritter moved to Munich in 1886, Strauss was already hard at work on Aus Italien, his first symphonic fantasy. The pair travelled to Bayreuth together to visit Liszt’s grave and to hear Tristan und Isolde and Parsifal.
While Strauss never shared Ritter’s passion for Catholicism, he followed his (and Wagner’s) philosophical lead by reading the works of Schopenhauer, which inspired Strauss’s first opera Guntram (1894). Ritter died two years later, but his influence remained, even though Strauss turned his attentions towards Nietzsche, Wagner’s arch enemy.
2014 sees the 150th anniversary of Richard Strauss’s birth. The composer is celebrated at the ROH with stagings of Die Frau ohne Schatten (now ended) and Ariadne auf Naxos (25 June-13 July). Tickets for Ariadne are still available.