8 September 2013 at 4.24pm | 1 Comment
The Story Begins...
Princess Turandot of China has sworn that any man who wishes to marry her must answer correctly three riddles – if he fails he will be executed. Can the exiled Prince Calaf triumph and make the ice princess love him?
An Eastern Fantasy
Andrei Serban’s classic production of Turandot (first performed by The Royal Opera in 1984) highlights the violence and beauty of ancient China. Spectacular effects include the arrival of dancers riding on a painted Chinese dragon and waving bloody daggers for the Act I execution, and the entrance of Emperor Altoum, who descends from the sky on a golden throne, in Act II. In Act III Turandot symbolically discards her sinister mask to show that she is conquered by love.
Puccini’s Last Work
Puccini began work on Turandot in 1920. As always, he played a key role in shaping the opera’s libretto. He worked with great enthusiasm on the score and by March 1924 it was all but complete – apart from the final love duet. This duet caused Puccini much grief and he was still struggling with it when he died in November 1924. The opera was completed by Franco Alfano and received its premiere on 25 April 1926 at La Scala, Milan.
From Satirical Fable to Heroic Romance
Puccini’s principal source for Turandot was Carlo Gozzi’s 1762 play of the same name. Gozzi took a rather satirical view of the story (echoed in Busoni’s 1917 opera Turandot). Puccini followed Schiller’s adaptation of Gozzi’s play in making Calaf a heroic figure, and in having Calaf and Turandot genuinely come to love each other.
Memorable Melodies, Exotic Sounds
Puccini was keen to include authentic Chinese material in his score for Turandot. The opera makes use of several Chinese folk melodies, including an ‘ancient Imperial Hymn’ that Puccini first heard played on a Chinese musical box owned by an Italian aristocrat. Puccini’s talents as a melodist are very clear in his final opera and Turandot contains some of his most memorable arias, including Calaf’s ‘Nessun dorma’, Liù’s ‘Signore, ascolta’ and ‘Tu, che di gel sei cinta’ and Turandot’s dramatic ‘In questa reggia’.
Turandot runs from 9 September 2013 – 10 March 2014, and will be screened live in cinemas on 17 September.
The production is staged with generous philanthropic support from The Royal Opera House Endowment Fund.