Debate: What do you think of concert performances of opera?
We'd like to hear your thoughts on opera as music. Do you miss the theatrical element?
23 July 2013 at 4.06pm | 22 Comments
Following recent concert performances by The Royal Opera of Capriccio and Simon Boccanegra, and Wagner’s Ring Cycle opening at the BBC Proms this week, we wondered what you thought about concert performances of opera.
Soprano Deborah Voigt wrote a blog post on the subject a few years back for the Guardian from a singer’s perspective, saying that concert performances are a ‘hugely helpful way of getting to know a role… I’d got a sense of how to pace the role before the marathon physical demands were thrown into the mix’.
What do you think of concert performances of opera? Do they allow you to focus on the music without the distraction of a full staging or do they reduce the impact of an art form that melds music and drama?
Whatever your views, share them via the comments below.
Here are a few thoughts from our Twitter following:
‘Depends on how well you know the music. If you do, then can simply enjoy performances. If not familiar, you need the acting’
— Luke Thomas (@welshboy82) July 23, 2013
‘With good singers that know how to convey the story through their expression & sentiment, they can be just as magnificent.’ — Francesca Aquilina (@Cikka87) July 23, 2013
Unstaged opera isn’t opera. It’s just part of an opera. Enjoyable, but not the real thing. Opera is not just about music. — Richard Bratby (@RichardBratby) July 23, 2013
‘Opera is so much more than just music. Even with a fully-staged performance, I long for the lavish staging of the past…’
— Elizabeth Hopkinson (@hidden_grove) July 23, 2013
In a world of exponentially increasing production costs, concert performances open opera up to new audiences too.
— Martin Hughes (@musicified) July 23, 2013
‘I am a fan, as an artist and as an audience member. So much is overstaged these days, concerts are a nice break!!’
— Wendy Bryn Harmer (@WendyBryn) July 23, 2013
Jeremy Budd, Simon Gfeller, David Butt Philip and Pablo Bemsch as Servants in Capriccio © ROH/Catherine Ashmore, 2013
‘Good way to revive interest in a neglected piece (Beatrice di Tends, etc), or take the staleness out of warhorses.’
— Suzanne (@mskapay) July 23, 2013
It's a fantastic way of getting to know a piece without distractions.
— Ted Black (@TedLBlack) July 23, 2013
‘There’s a place 4 both. In my experience concert performances can be very exciting.’
— Theresa Muir (@theresasmets) July 23, 2013