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Ballet Essentials: Romeo and Juliet

A quick guide to Kenneth MacMillan's adaptation of Shakespeare's timeless tragedy.

By Ruth Garner (Former Content Producer (Ballet))

16 October 2013 at 11.23am | 4 Comments

‘Never was a story of more woe’

When Romeo and Juliet meet at a ball they fall passionately in love. But their families are sworn enemies, divided by a bitter feud. Can their love survive against a backdrop of hatred and hostility?

The Heart of The Royal Ballet

Kenneth MacMillan’s powerfully emotional Romeo and Juliet, an adaptation of Shakespeare’s great love story, is a 20th-century classic. The ballet exploded onto the stage of the Royal Opera House in 1965 and received one of the most rapturous receptions of any work in ballet history. It has been at the heart of The Royal Ballet’s repertory ever since, amassing over four hundred performances at the Royal Opera House.

Controversial Casting

MacMillan created the title roles on Lynn Seymour and Christopher Gable, who were both integral to his conception of the work. However, to MacMillan’s distress, Margot Fonteyn and Rudolf Nureyev were chosen as first cast for the premieres in London and New York, on the basis that their popularity would guarantee ticket sales. Seymour and Gable were obliged to teach the roles to Fonteyn and Nureyev, and made their debuts (as the fourth cast) at the ballet’s fifth performance.

Music and Politics

When Sergei Prokofiev wrote the score for Romeo and Juliet, he faced a desperate struggle to keep it intact against Soviet censorship. Commissioned by the Kirov Ballet, the work in its original form was completed in 1935 but was denounced as ‘undanceable’ through fear of it being criticized as ‘modernist’, and wasn’t performed until 1938. A revised version was created for a 1940 production, which eventually formed the basis of three popular orchestral suites. With its dramatic and famed centrepiece ‘The Dance of the Knights’, the work is today considered to be one of the greatest of all Russian ballet scores.

Choreographic Highlights

MacMillan’s choreography draws out the emotional and psychological intensity at the heart of the story. Set against the backdrop of Nicholas Georgiadis’s monumental designs, highlights include fierce marketplace swordfights and the three passionate pas de deux around which the rest of the ballet is constructed: the lovers’ first meeting, the famous balcony scene and the devastating final tragedy.

The Royal Ballet’s production of Romeo and Juliet runs from 19 October–7 December 2013. Advance tickets are sold out, though a limited number of day tickets will be available on the morning of the performance. Returns may also become available.

The production is generously supported by The Paul Ferguson Memorial Fund and staged with generous philanthropic support from Peter Lloyd and the Artists’ Circle.

This article has 4 comments

  1. Gill Shaw responded on 16 October 2013 at 11:30pm Reply

    Why is this ballet not part of the cinema screenings? It is wonderful and is a classic, seminal ballet? Please please can it be added to the list for the next opportunity?

    • Aria responded on 28 November 2013 at 8:52pm

      Oh, yes! I would love to watch it on cinema screen too! That would be a splendid idea ♥ please please please!

  2. Marketa Duchoslavova responded on 21 October 2013 at 11:58am Reply

    I would like to ask you if this performance of Romeo and Juliet is the same which will be presented in Royal Albert Hall on June 2014 (with the choreography by Sir Kenneth MacMillan)? Thank you for your answer.

    • Rachel Beaumont (Content Producer (Web Copy)) responded on 21 October 2013 at 1:10pm

      Hi Marketa,
      Thanks for your query. That's English National Ballet's arena production with choreography by Derek Deane.
      Best,
      Rachel
      Content Producer (Web Copy)

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