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Home > Mixed programmes > Serenade / Sweet Violets / DGV

Serenade / Sweet Violets / DGV

14 May - 26 May 2014 | Main Stage

A mixed programme of exhilarating contrasts, from a dark Victorian melodrama to a celebration of hi-tech modernity.

Photos

  • The Royal Ballet in Serenade © ROH / Johan Persson, 2008
  • Johan Kobborg as Walter Sickert, Steven McRae as Jack in Sweet Violets © Bill Cooper/ROH 2012
  • Thiago Soares as Robert Wood, Leanne Cope as Emily Dimmock in Sweet Violets © Bill Cooper/ROH 2012
  • Johan Kobborg as Walter Sickert, Alina Cojocaru as Mary-Jane Kelly in Sweet Violets © Bill Cooper/ROH 2012
  • Johan Kobborg as Walter Sickert and Alina Cojocaru as Mary-Jane Kelly in Sweet Violets © Bill Cooper/ROH 2012

When to see it

Booking for 14 May 2014 - 26 May 2014 opens

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News and features

Background

The opening of George Balanchine’s Serenade is unforgettable: on a blue-lit stage, women stand motionless in filmy blue dresses with single arms held high. Balanchine’s ethereal choreography is the perfect complement to Tchaikovsky’s soaring Serenade for Strings, both atmospheric and emotionally subtle.

A seedy Victorian underworld provides the setting for Liam Scarlett’s Sweet Violets. His inspiration is the work of artist Walter Sickert, whose ‘Camden Town Murder’ paintings were based on the gruesome murders of Jack the Ripper. Scarlett’s classical sensibility teamed with a deep emotional punch makes Sweet Violets a disturbing and enthralling experience.

Hurtling forward into a 21st-century aesthetic, Christopher Wheeldon’s award-winning DGV: Danse à grande vitesse brings the programme to an exhilarating close. The ballet was inspired by the French high-speed train line TGV and is set to a propulsive score by Michael Nyman. Wheeldon’s choreography is a modern paean to our hi-tech age – brittle and brilliant.

Mixed programme

These works are performed together:


  • Serenade

    The music of Tchaikovsky is partnered with sublime choreography in one of Balanchine’s earliest and best-loved works.

  • Sweet Violets

    Murder, sexuality and art are the potent themes of Liam Scarlett’s ballet, inspired by Walter Sickert’s paintings.

  • DGV: Danse à grande vitesse

    Christopher Wheeldon channels the hurtling momentum of Michael Nyman’s music in choreography of thrilling propulsion.

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